12 February 2013

Digipak Photographs Explanations




The Smiths got their name because Morrissey said he chose it because it was the most ordinary name and it was time the ordinary folks to rise. Also, Rebecca told me there was a band named "James". With all of this, I thought Jane would be a good name, and it reminded of Jane Eyre, and how the characters in the book said Jane was a plain girl.
The album name I got from a poem by Dorothy Parker. Her poem was called "Résumé" which is French for "summary". The poem goes as follows:
"Razors pain you;
Rivers are damp;
Acids stain you;
And drugs cause cramp.
Guns aren't lawful;
Nooses give;
Gas smells awful;
You might as well live."
The poem is about suicide, and I thought it was appropriate because the narrator of the poem seems to fell detached and isolated from their environment, and so does our performer. "Résumé" is also a good album name to describe the album itself, as the album could be a "summary" of the performer/band's life.

The album cover picture is a still from the film "Huckleberry Finn" 1985, in which Patrick day plays Huck Finn. In this particular still Huck is being pursued and to avoid being caught  he disguises himself as a girl. Our performer in the music video also cross dressed, playing with gender, and bringing in Judith Butler's gender trouble: gender is no longer seen as fixed identities i.e. male = masculine, female = feminine. In this way our album cover is related to our music video.

The other pictures are all photographs I took at various times.

The photo of the book and the photographic film I took around three years ago one beautiful Sunday morning on a whim. It was all an accident that I noticed what I was seeing would make a good photo. The colour original looks really good, maybe even better than the black and white version, but all the images need to go well together, and I couldn't seem to get all the colours to work together.

The next image is that of some flowers. This is also a photo I took a number of years ago. It’s a photo of my gloved hand holding the little flowers at an angle. I didn’t really have a reason for taking a picture of it. I selected it for the Digipak because I was thinking of Morrissey – when asked why he was always holding flowers, Morrissey replied that flowers are beautiful and charming and they don’t hurt anyone.

This frame underneath is a photo belonging to “the little black jacket” project I saw when for  photography (the subject) we were taken to the Saatchi gallery. I don’t know if we were allowed to, but I took many pictures while looking around. This is only a section of the original image – I had to crop it to get only that photo. I don’t know who the man, but he looks sad and alone, playing the violin as if to comfort himself – the mood fits our themes.

Last year I went to France to meet my mother and brother, for the summer. My mother took me to “Le Musée de Rodin” and again I took many pictures. This is one of Rodin’s statues. I don’t know what it’s called because I forgot to take a picture of its name, but the statue’s body language is full of anguish and although our theme isn’t as intense, the photo and the statue go well with the other photographs.

The last photo is of my hand with writing on it. this photo I had to take while doing the digipak draft because I couldn’t find a fifth image that would look good with the other images, so I quickly decided to write something on my hand with a biro, because that thought had been on my mind all day that day. At first I was going to write one bold word on it, like “love” or something, like I had seen people do on the internet (and because it was 11pm and I was really really tired).  But then I thought it would be more interesting to cover my whole hand in writing – it looks better, and also I liked the thought of people wondering what is written on the hand and trying to read it, because humans are curious by nature and want to know everything. So I looked through my poem book and selected one by W. H. Auden named “Song: Stop all the clocks”, because it is about loss and I liked it. After I finished I realised not enough of my hand was covered in writing, so around the main poem by Auden I loosely wrote bits of the poem “The Walk” by Thomas Hardy. I then used my coat for the black background (I had to make-do with what I had) and took pictures of the written-on hand in various angles. It was difficult to make my hand look limp and natural, you can’t see it but my arm was all twisted as I had to bend and stoop to take the picture. Out of all the ones I took this was my favourite.

I turned the photos black and white because i didn't want the colours distracting the eye from the composition, and also "the memory of childhood" is something that seems part of our themes - the photos aren't sepia, as if if the person could remember strongly enoough they'd be able to get back their memories vividly in colour again, but they're black and white, all the colours drained out.

9 February 2013

Names of the songs on the album

NAMES FOR SONGS:

Jane. - (name of band)
Mother Dearest. (Summons feelings of maternal longing)
Night Terror. (Children have them)
The Girl Who Ran Away. (Awkwardness, shyness, being scared)
T(ea) (British drink.. Um... British band... Identifying with british culture.)
Big Mouth Strikes Again. (Music video song)
Girl Afraid. (Smiths song.. Title could be equated to awkwardness.. Shyness.. Being scared. Etc)
To The Old House. ('Back to the Old House' smiths song)
Pick and Mix. (Sweets. Childlike. Nostalgic.)
Card House. (Reference to cards in music video and to the song 'happy house' by siouxsie and the banshees)
Unhappy Birthday (summons past memories of childhood birthdays. Also smiths song)

8 February 2013

Digipak Draft


Comments by smiths fans on Big Mouth Strikes Again

Title

"Jane"  due to the fact it's a plain and ordinary name. 'Plain Jane'
Morrissey when naming the Smiths said; 

The band picked their name in part as a reaction against names used by popular synthpop bands of the early 1980s, such as Orchestral Manoeuvres in the Dark and Spandau Ballet, because they considered these names fancy and pompous. In a 1984 interview Morrissey stated that he chose the name The Smiths "...because it was the most ordinary name" and because he thought that it was "...time that the ordinary folk of the world showed their faces." - Wikipedia 

30 January 2013

Stop Motion Animation


Shooting Days


Half-term seemed the best time to start, as well as finish, the entire construction of the music video: we thought we had all the props and equipment we needed, the background was deemed satisfactory by us (as we couldn't find anything better) and we had the time we needed to film on our hands.

The location we chose to shoot in was in my living room, though it is quite small (there were no other available locations for us, and we just couldn't think of any). We were able to block out the daylight pretty well, so no ambient light affected our shots. the artificial lights - we only used 1 Lilliput and one red head because there wasn't any more space to use a third light and place it behind the performer (so we didn't use three point lighting), and anyway, we didn't have enough arm strength to open the third goddamn stand - were placed in front of the performer, quite close to them, at 45 degree angles.

The background was an old duvet cover I found deep within my mother's closets. as we were influenced by the title sequence of the film Amélie (i once watched the sequence while listening to our chosen track, and the visuals and the song went well together), we wanted to create something with a similar feel, but we didn't want to copy it, and so we decided of not using a green background but something of a different colour. We noticed there were three colours dominating the sequence, which were red, green and yellow. Those colours complimented each other well, so we tried to keep to the colour scheme.
We also thought about the rule of thirds while filming, to make the shots dynamic, as music videos need to be full of dynamism.
We had drawn a rough storyboard to follow, but many of the shots we discovered by improvising and experimenting a little (we filmed a shadow shot that I liked but which didn’t make the music video). Me being in front of the camera instead of behind it (which was where I desperately wanted to be) Hafsah was the one who caught the shots.

All of us were busy in one form or another on various days and hours, so we couldn’t all film together every day of the week, but we were able to film on three days of that half term, from 9:30 or 10 to 12 or 2pm, depending on our time tables. Filming was long, as we didn’t have as many hands as we would have wanted, and we didn’t finish the filming in the end.
The footage and photographs seemed fine on the camera, but when we loaded them onto my laptop, they didn’t look very good at all.
We had to shoot the whole thing all over again.
By this time we were feeling very panicky – nothing was going right, time seemed to be against us – our hearts were losing faith. But we would never think of giving up; we already put so much work and effort into it.

We scheduled more shooting days – again we had to work around each other’s time tables – and filmed more shots. This time they looked much better (the colours were washed out in the previous shots. Of course we knew we could manipulate the colours during the editing process, but the original shots needed to be good, too) and we were pleased with them, as they were, we thought, the best we were going to get under the circumstances.    

29 January 2013

The Smiths - Star Image

The cultural pessimists said that popular culture has been “dumbed down” and producers of the new media are making more of the boring and un-stimulating same things. Morrissey would probably agree – he stated in an interview that when writing his lyrics and choosing the album covers he assumed that his audience was intelligent instead of dumb, as most artists do. He also said that popular music should be used to make serious statements, and it is a shame that most musical artists sell millions of records but don’t give out a message, they don’t make the audience think, they don’t touch the people’s consciousness. Most media assumes the audience is dumb and gives them a load of meaningless rubbish to fill their lives with.

All of this is important to how Morrissey, and The Smiths, choose to portray themselves in the media.
This is a presentation about Morrissey and The Smiths someone has created, which analyses their sexual ambiguity and political messages and so on. The Smiths have been called an "intelligent" band by many. Everything they have done was self-conscious and thought through - they all knew what they were doing, especially Morrissey.

 http://www.debaser.org/mozskin/mozskin/ms01.htm